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QR code on right.) Robert Bresson 54 fi lm e di ti ng As Rick and I progressed through the film, chipping away at Welless fifty suggested changes, we also had the time to appreciate his work, even (perhaps especially) in areas where he had given few notes
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There were 236 hours of workprint on Apocalypse Now , which works out at 14,000 pounds seven tons of film that had to be broken down, boxed, catalogued, put in accessible racks, moved around from editor to editor (Richie Marks, Jerry Greenberg, Lisa Fruchtman and me), edited, and then the trims returned to their boxes in exactly the original frame order
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