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Louis Silverstein was looking at a series of photographs of business travelers published in the November 1955 issue of Fortune magazine and thought the pictures lent such uncanny expression to men talking, reading and revising that he decided the photographer had been lucky. Fortunes photography editor, the seminal photographer Walker Evans, had assigned his protg, Robert Frank, to accompany the deal makers and politicians aboard the Congressional, a New York-to-Washington train known as the mobile executive suite. Silverstein was The New York Timess promotion art director, and despite his skepticism, he reached for his telephone and invited Frank to come see him

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Why does a wealthy Oscar-winning Hollywood actor, photographed mid-smoke, make millions of people feel profoundly, almost tenderly seen

Are you ready to commiserate with strangers, to nod knowingly across crowded rooms

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