The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China 51 張世瑛：中華民國國史館纂修

張世瑛：中華民國國史館纂修

24我的名字叫台生

在此基础上，作者擅长分析，视角独特，突出了这些事件中的“当代性”特征，比如“伊斯兰国”在使用野蛮暴力时，也利用社交媒体招募“圣战”分子；虽然难民依然乘坐破旧的小船横跨大海，但他们靠智能手机和社交网络，来获取准确及时的信息。

An accomplishment of both great sweep and illuminating detail

本书为作者1915—1916年所做的四次菲茨帕特里克讲座的讲义，讨论了他所调查的美拉尼西亚地区原始部落中与医药相关的实践。里弗斯并不是以西方现代社会的理性和医学观点来评价土著人的医药实践，而是将其作为与土著人的宗教观念、社会生活不可分割的社会生活之一部分讨论，诠释原始医药中表现的思维方式，指出土著人的医药实践是基于其宗教思维的。本书对原始医药做的整体性思考，对人类医药史有重要贡献，也成为医学人类学的奠基之作，亦对探讨原始思维乃至人类意识等有重要的意义。

The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China 51 張世瑛：中華民國國史館纂修In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Over the centuries Taowu underwent many incarnations until it became identifiable with history itself. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth century literary landscape, David Der wei Wang delineates