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This deliberate pairing of a wrathful female deity with a calm male Buddha exemplifies a core principle of Vajrayana Buddhism: aggression and compassion
eventually being restored with the head of a goat
both the strings and the one who touches them with understanding
This bold Kalighat painting captures the striking presence of Kali as an emblem of time
acquired by Sir Monier Monier-Williams for the Oxford Indian Institute Library during his 1883–84 India tour
Mahishāsuramardinī - Durgā Slaying the Buffalo Demon (18 × 24 in Poster) gopis devotion scene print This deliberate pairing of aIndia Late 19thEarly 20th Century Region Date Indian SubcontinentChromolithograph, c. 18801910 Key Features This richly detailed chromolithograph presents Goddess Durg as Mahishsuramardin the slayer of the buffalo demon Mahishsura framed within an ornate temple like toraa. The composition unfolds like a sacred stage, with the goddess at its radiant center and a host of attendant deities encircling her in reverence. The print belongs to the popular
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