Passports Phoebe Kiely Tennessee that was open to

Tennessee that was open to people of colour in the early 1960s

This luxurious special edition celebrates Richard Billingham’s revelatory new edition of Ray’s a Laugh

This comprehensive three-volume publication presents the evolution of the pavilion’s conception and construction through this meeting of disciplines

most recently at The School of the Art Institute of Chicago

moving from Washington D

Passports Phoebe Kiely Tennessee that was open toPassports presents an intimate body of work by Keisha Scarville taken from an ongoing series centred around her fathers earliest passport photograph. The artist has reinterpreted the photograph over three hundred times to date, each iteration reworked and collaged with varying materials and found imagery paints, beads, photograph fragments of Black bodies, gold leaf, glitter to form a deeply textured act of photomontage. Interwoven with the passport