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whose image I see inverted in the frosted glass
on the threshold at which daily domestic life converges with the deepest state of sleep
covering almost seventy years
a period punctuated by austerity
every move taking him further from his friends and family
Hujar:Contact Matthew Porter whose image I see invertedHujar: Contact explores the Morgan Library & Museums extensive archive of original contact sheets and job books made by the beloved photographer Peter Hujar between 1954 and 1986, which come together to form an enthralling visual document of the artists creative process. Hujars empathetic eye focused in on varying subjects crowds of protest, damaged relics, farm animals but above all he was preoccupied with making portraits of the overlapping circles
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