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Niang’s concept of the plasticity of territory as a constantly evolving and shifting entity is at the root of her work and is expanded here through different modes of non-portraiture
Drabble has produced a body of work that emphasizes the aesthetic pleasures of seeing and the boundless possibilities of finding beauty in our surroundings
Poulain’s practice draws on Shintoism
building materials
Daniel Borzutsky
The Devouring Eye: Photography and the Mouth Hannah Starkey Niang’s concept of the plasticityThe Devouring Eye: Photography and the Mouth is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty five year tenure as Head of the Photography programme at the Royal College of Art (19972022) a period during which the course shaped an entire generation of photographers
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