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one developed straight and one reversed
making the personal public and gradually leading to "a paradox in which they seemed to be together solely for the sake of photography
Because female photographers were a rarity back then
looking from the back
“During a photographic discussion event about his photobook ‘Funabashi Story
Tokyo Polytechnic University Shadai Gallery Daido Moriyama Archive 1960─1982 | Daido Moriyama | Getsuyosha 2021 Editions du Lic one developed straight and oneThe work on this book repeatedly gave me opportunities to re encounter all those fragmented records of events and occurrences, of lights and shadows falling on all kinds of places and situations, that I have witnessed and captured. Now that I stood in front of them once again, these fragmented images presented themselves to me as rather fresh depictions of miscellaneous, indistinct entanglements of space and time. Here they were, coming together in a
