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who chose narrative objects which allude to a carefully constructed visual history of eroticism
American Colour 1962–1965 is a carefully edited selection of previously unpublished Tony Ray-Jones colour photographs from the earliest period of his work
Kawada photographed abnormal and calamitous weather conditions – gales that configure coiling cloud-patterns
displays such as dioramas serve as the ultimate form of representation
Finally he revisited America in 2010
LE SILENCE Une fiction Thomas Struth who chose narrative objects whichLE SILENCE Une fiction gathers a corpus of contemporary works by 25 artists, ranging from Armans Accumulations to Hiroshi Sugimotos photographs, and together they present a world that is both strange and familiar, what curator Simone Menegoi refers to as the story of a planet that has become uninhabitable for reasons unknown. Part scientific experiment, part fictional narrative, the effect of these traces that our civilisation leaves behind is one of
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