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This stunning piece is a screaming protest of two of Angelini’s deepest oppositions
and at last he is left alone with only the faint echoes of an empty church and free to place the new window in his private quarters where the morning sun will warm the glass to his touch
Notice also
A rare glimpse into the mind of one of the fathers of Surrealism
Manera’s portrayal of American commercialism (and perhaps monopolies in general) is expressed using the earliest incarnation (1934) of the American Airlines logo
Cityscape Sundown Dago This stunning piece is aDelvecchios impeccable inclusion of the cracks and oil stains on the pavement on the Manhattan streets and the expert use of depth of field of the vehicles in the background is also of note. The viewer is placed right on the street, stuck in midday traffic and just missing that yellow light. SIZE 23 X 23"
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